I covered the first part of my top 20 a few days ago, and so here is part two – numbers 10 to 1 of my top films of 2014. Enjoy!
10. The Lego Movie
It could have gone so very wrong. Everything about it screamed corporate cash-in but The Lego Movie actually turned out to be bloody fantastic. Poking fun at pop culture at every turn, there really is something for Lego fans young and old to revel in, and the fact that literally everything on screen is made from Lego bricks makes for a visual treat. Full review here.
9. Guardians of the Galaxy
With our cinemas bursting at the seams like Hulk’s shorts with superhero films, Marvel took a massive risk bringing a relatively unknown franchise to the big screen in Guardians of the Galaxy, but it was a risk that paid off. The script was witty, the soundtrack was brilliant and most of all it was damn good fun.
8. The Imitation Game
The importance of what Alan Turing did can simply not be underestimated, and neither can the barbaric treatment of him at the hands of the UK government simply because of his sexuality. The Imitation Game gives a ‘for dummies’ guide to Turing’s work and life, which is by no means a criticism, hitting most of the important points and driven by a brilliant central performance by Benedict Cumberbatch. Read a mini review here.
7. 12 Years a Slave
Steve McQueen’s harrowing tale of Solomon Northup being sold into slavery isn’t an easy watch, but is an incredibly important story that is depressingly not as long ago as it should be. Chiwetel Ejiofor gives a brilliant performance as Solomon, whilst the cinematography, as you’d expect from McQueen, is stunning. Read my full review here.
6. The Grand Budapest Hotel
The Grand Budapest Hotel couldn’t be more of a Wes Anderson film if it tried. A picture book caper stylised to its limit, it’s glorious fun from start to finish. It might be a little too frenetic and stylised for some, but fans of Anderson will lap this up, whilst it’s also brilliant to see Ralph Fiennes revelling in a comedic central performance. Read my full review.
Richard Linklater’s Boyhood took over 12 years to film, following the same characters and cast members as they grow up. It sounds a bit of a gimmick, and it could have well turned into one, but what we got instead was a wonderful study of family and growing up, not just from the viewpoint of Ellar Coltrane’s Mason as the lead, but also of all those around him. There’s something here that almost everyone will relate to. Read my review here.
The story artificial intelligence and its sentience is something that outdates cinema (probably) but very few films have covered it like Spike Jonze’s Her. It’s a world of high-waisted trousers and one that sees human interaction dying out in favour of artificial intelligence, something that doesn’t seem to improbable. Joaquin Phoenix is fantastic but it’s Scarlett Johansson as the disembodied Samantha that really steals the show. Read my full review here.
Nightcrawler’s look at the seedy world of crime ‘journalism’ has plenty to say about our modern form of news and how we consume it. We may baulk at what Jake Gyllenhaal’s Lou Bloom does but we lap it up at the same time, feeding his lust for fame and validation. Gyllenhaal’s performance is outstanding, channeling Travis Bickle whilst adding enough of his own style and menace to stand apart from De Niro’s character. Read more of my thoughts here.
It’s a story that almost sounds too bizarre to be true, but when a group of gay men and lesbians rocked up to a lowly Welsh village in support of the miners’ strikes it showed that we all aren’t so different. Pride tells that story and will warm even the coldest of hearts. Sure, it may be a little stereotypical and cheesy at times, but it does what it does remarkably well and is accentuated by some stellar performances. A crowd pleaser if ever there was one. Read my review here.
Michael Fassbender wearing a big paper mache head – what’s there not to like?! Frank takes its inspiration from Manchester performer Frank Sidebottom who did indeed used to wear a head just like the one in the above picture. That, however, is where the similarities between the two Franks end and instead we get a fantastical tale of trying to make it big in the music industry, but with something much deeper bubbling under the surface. Michael Fassbender is phenomenal as Frank, especially considering he’s essentially acting with his body and voice, removed of all facial expressions aside from the one painted onto his fake head. It’s quirky and indie and this may put some people off, but it was the film that bewitched me the most in 2014. Read my full review of Frank here.
There we have it – my top 10 films of 2014. Agree? Disagree? Don’t care? Let me know in the comment below! Thanks very much for sticking around even though I haven’t been around as much, and hopefully see you all a bit more in 2015.