When I compiled my top 10 of 2013, I didn’t include those films that came out just in 2015 here in the UK but still featured on many people’s lists as they came out in the US in 2014 and were in the running for awards.
However, by doing that I last year, I need to include those films this time around which makes choosing a top 10 really freakin’ difficult, and rather than try and whittle them down and because i’m weak and indecisive, I decided to do a top 20 instead. I have split it into two parts, however, so it’s not a complete bore to read in one go.
You will notice that some major films aren’t here but appear in others’ lists purely because they’re out over here in 2015.
So here are numbers 20-11 of my top films of 2014…
The McDonagh brothers have a bit of a thing for black comedies (The Guard, In Bruges, Seven Psychopaths) but none of them are as black as Calvary. In fact, you might be hard pressed to even call it a black comedy at times, rather a drama with sprinklings of comedy here and there. Either way, it’s an absorbing tale of a good priest being threatened with his life and a brilliant performance by Brendan Gleeson. Read my review.
19. The Raid 2
The Raid was a lesson in how to bring martial arts to the masses and The Raid 2 takes what the first film did so well and turns everything up to 11. The fight scenes are unbelievable, almost balletic in their choreography, and are as brutal as anything else you’ll have seen this year. Its attempts to create an interesting story miss the mark, but we’re only really here for the fights and they don’t disappoint. My review.
18. The Babadook
It’s always refreshing when a horror film doesn’t rely on cheap jump scares, and thankfully The Babadook steers away from these for the most part. It plays on the audience’s familiarity with the situation and mixes in elements of the uncanny to create an intriguing story, even if it does lose its way slightly in the final third. Read my mini review here.
Being stuck in a car with Tom Hardy may well be many people’s idea of a dream day out but his Ivan Locke is a little unhinged and we stare in fascinated horror as he does his best to stop his life falling apart around him. Hardy is the sole (on-screen) character and he carries the burden with ease, proving that he can turn his hand to just about anything. Read my full review.
16. Inside Llewyn Davis
For me, The Coen Brother’s Inside Llewyn Davis is an easier film to admire than it is to love, but by God there’s a lot to admire. Wonderfully shot with chilly, muted tones, it’s packed full of metaphor and subtext and has some brilliant performances at its core. Not the most accessible film of the year but definitely one of the most thought provoking. Read my full review.
Sometimes a film does some things so well that it makes you forgive the things it’s not so good at. Interstellar has some horrendous plot contrivances and some dodgy plot points, but it also has some absolutely stunning visuals and Christopher Nolan’s lofty ambition, making it simply one of the most pure cinematic experiences of the year. Read my review here.
14. Dallas Buyer’s Club
As we all know, Dallas Buyer’s Club picked up the Best Actor (Matthew McConaughey) and Best Supporting Actor (Jared Leto) awards at the 2014 Oscars, and for good reason. Both McConaughey’s and Leto’s performances are the heart and soul of the film and really sell this heartbreaking true story. Read my full review here.
13. Gone Girl
David Fincher has built up quite the cinematography and Gone Girl is another excellent addition. It starts as a whodunnit of sorts and then however transforms into something wholly different with twists and turns lacing the narrative throughout. Affleck’s great here but Pike is even better and Fincher’s attention to detail really helps draw you in. Read my full review.
12. The Wolf of Wall Street
It’s Scorsese and DiCaprio working together once again, this time on the tale of Jordan Belfort and his rise to astronomical wealth and influence on the stock market. Some fantastic performances help to pull the film through which runs about 6 weeks in length, although it still left DiCaprio waiting for that elusive Oscar. Read my review.
For film viewers of a certain age, Paddington Bear will have a certain nostalgic value, but for many he’s somewhat of an unknown. Either way, Paddington is absolutely essential family viewing. It’s utterly charming, like a mug of hot chocolate on a cold winter’s day. It also carries an important message about accepting those different to yourselves, so has plenty of substance to back up its marmalade-laced hi-jinx.
That’s numbers 20-11 of my top 20 of 2014. Let me know your thoughts below and stay tuned for my top ten of 2014 in a few days.